I was expecting Batman to beat the living crap out of the Joker, so I'm very disappointed and surprised I wasn't granted the satisfaction. The death was decided by fans, as DC Comics set up a hotline for readers to vote on as to whether or not Jason Todd should survive a potentially fatal situation. 1989), in which Jason Todd, the second of Batman's Robin sidekicks, was killed. 1988), and the storyline "Batman: A Death in the Family", in Batman #426-429 (Dec. In the late 1980s, Starlin began working more for DC Comics, writing a number of Batman stories, including the four-issue miniseries Batman: The Cult (Aug.-Nov. The Death of Captain Marvel became the first graphic novel published by the company itself. When Marvel Comics wished to use the name of Captain Marvel for a new, different character, Starlin was given the rare opportunity to produce a one-shot story in which to kill off a main character. Starlin also drew "The Secret of Skull River", inked by frequent collaborator Al Milgrom, for Savage Tales #5 (July 1974). Here he developed his ideas of God, death, and infinity, free of the restrictions of mainstream comics publishers' self-censorship arm, the Comics Code Authority. In the mid-1970s, Starlin contributed a cache of stories to the independently published science-fiction anthology Star Reach. Death and suicide are recurring themes in Starlin's work: Personifications of Death appeared in his Captain Marvel series and in a fill-in story for Ghost Rider Warlock commits suicide by killing his future self and suicide is a theme in a story he plotted and drew for The Rampaging Hulk magazine. With a career dating back to the early 1970s, he is best known for "cosmic" tales and space opera for revamping the Marvel Comics characters Captain Marvel and Adam Warlock and for creating or co-creating the Marvel characters Thanos and Shang-Chi, Master of Kung Fu. "Jim" Starlin is an American comic book writer and artist. Maybe you know the comics that influenced Christopher Nolan in writing his Batman movies, but now, for the first in a series on the matter, we want to showcase and discuss the visual influences of the movies from comic to screen.James P. Sometimes the filmmakers take that to heart totally when they’re crafting the movie and frame their actors and sets so they’re bringing those panels to life. Every once in a while, when a comic book movie hits the big screen, people talk about the way that the visual language of the movie references that of a comic book. Countless posts and articles have been written about the narrative and character influences on the movies, but we wanted to look at them through a different prism – the visual influence. Since before the movies were even released, the influence of DC comics on the films was being reported, in particular with Batman Begins.
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